Orange is my wife’s favorite
Color is an interesting element in formal works. Rothko and the other color field painters explored the element extensively. Creating palette and palette on top of juxtaposition and more juxtaposition, eventually becoming so dialed into the power of color that they could speak volumes with seemingly the bare minimum of other structure. We still use their language and don’t even think about it.
Palette
We all have a distinct color palette preference, some people even make a career out of guessing popular color trends. Typically we love primary colors, can’t help it for the most part. Secondary colors are usually more partisan. Tertiary colors often balance or support the others and can make or break an argument. All that generalness aside I’d say our love of color is probably one of the most unique things about us. As I’ve seen couples argue over two shades of blue, or spend weeks deciding between bright vibrant colors or muted.
For me and this project I have to find my colors in the real world, I don’t alter what I find. This causes an interesting problem when color is the primary expression to the audience. I need to find my particular expression in the world on my path and created by someone else. Sure I might geek out about a texture repetition or a value scale but the audience sees the color first. And if they hate purple there is no convincing them of the beauty of the form nor is is worthwhile to argue that it fits perfectly with the narrative of the whole body of work. It is immediate and harsh the power of color to influence our opinions.
What’s your favorite color?
Participation
Buy a print of this image. Leave a comment on Flickr or Facebook. Tweet this post and share your thoughts about the image below.
Those that participate the most will win stuff! Up for grabs: a signed copy of Phoenix 22, a Tyson Crosbie Photography Tshirt (morse code), and several signed 5×8 prints.





